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";s:4:"text";s:27241:"Bloodline-Big Family Series signed in Chinese, numbered and dated '31/99 2006' (lower margin) lithograph image: 63.8 x 80 cm. As we now move away from the imperial periods, contemporary art pieces in China similarly borrow from the themes of parent-child relationships or values of filial piety. Update: Bloodline: Big Family No. Everyone dreamed for fortune and became anxious and impatient. He was only eight years old when bursts the Cultural Revolution in China, during which his parents were shipped in a correctional field work. After the completion of the present work, Zhang Xiaogang and the eminent critic Johnson Chang together entitled the series of two works as Bloodline – Big Family. Have you ever thought "Contemporary art isn't my thing"? We want to help you see contemporary art in a new light and discover art’s powerful messages. Thus, he started travelling in Europe since the 1990s and visited various museums in the West. The incident not only aroused in him a strong sense of hopelessness but also the idea of social responsibility. (30 3 ⁄ 8 x 36 3 ⁄ 4 in.) With a rich meaning in this series, Zhang successfully infuses his personal perspectives and current phenomenon in China that make it a masterpiece in his artistic journey, as well as the most recognisable and iconic presentation. Live Auction 3357, Asian 20th Century & Contemporary Art (Evening Sale). Cultural Context. His most famous paintings are the “Bloodlines” serie, where he tells about family relationships, social and collective problems in China through portraits of group inspired by images of Cultural Revolution. In 2003, A big family series, from Zhang Xiaogang’s Bloodline series, sold at Christie’s Hong Kong for US$76,000. The central child, however, is rendered in a pronounced shade of brilliant red that starkly contrasts the grey-scale pair behind. View comparable artworks. Change ), You are commenting using your Twitter account. Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. In this conflicting situation, the ambiguity in destiny passes on generation after generation". The morbidity of Individual family forms a new syndrome in Chinese society. Shifting Parent-child Relationships under the One Child Policy. The frenzied desire for material gain became a morbidity that spread among the society. "Change your destiny" and "become outstanding" were the missions of every child. What you see: Bloodline: Big Family No. Perhaps the simplest way to resolve the contradiction is to escape. From these old black-and-white pictures Zhang Xiaogang derived the series’ paradigmatic features: a subdued, nearly monochromatic palette; a thickly layered but flat The immediate prototypes of Zhang Xiaogang’s Big Family series are formal group photographic portraits from the 1950’s and 60’s, including those of Zhang’s own family, a source of the painter’s Bloodline-Big Family: Family Portrait was created during the most coveted period of Zhang Xiaogang’s iconic Bloodline series. In 2014, Bloodline: Big Family No. Too often, contemporary art experts don’t reveal the meaning behind works of art. Zhang Xiaogang oil painting “ Bloodline: Big Family NO.3 ” was sold for 94.20 million Hong Kong dollars at the Sotheby’s 2014 Spring Auctions, which … The frist major monograph of his work, Zhang Xiaogang: Disquieting Memories, was published by Phaidon Press in 2015. 9 sold for HDK $38,350,000, or $4.8 million. When he was a child he lived the Chinese Cultural Revolution of Communist regime leaded by Mao Tse Tung. “Bloodline, The Big Family series, No. “My mother had fear that I could do troubles, so she taught me to draw, and that’s what I did”. Drawn from Zhang’s memories of Cultural Revolution-era China, the painting illustrates the joint consciousness of the country at a time of social turmoil. Type: Oil on canvas. Bloodline: Big Family Series Lithograph print on paper, framed and glazed Signed Zhang Xiaogang in Chinese With the edition number 132/199 Printed in 2003 by the artist and distributed by Kwai Po Collection, China 57cm x 72cm (22½in x 28¼in). Zhang said, "The facial expressions of these figures are tranquil as water, but there is tempestuous emotions underneath. This work shifts away from the primitivism evident in his early works and manages to present a transformation of direct photography, enabling a higher level of formalism and greater reverberation on culture and history in his composition. Other details of the painting articulate a toned down emotionality, while their moistened eyes reflect a blank visual without any focus and direction. The Bloodline Series: Big Family No.3 trio curiously share the same androgynous facial features of an oblong-shaped head, pointed nose, and arched brows. Drawn from formal family portraits, the paintings represent both the individual and the faceless masses of China at once. Zhang Xiaogang’s Bloodline: Big Family No. Recently, he also created sculptures, translating for the first time into three dimensions many characters of the sort seen in his "Bloodlines—Big Family" portrait series… In the early 2000s, the Bloodline: Big Family series was among the must-haves for collectors worldwide. In Bloodline: Big Family Series (Lot 41), the artist imitates the effect of black and white photography and fills the entire composition with three figures with identical facial features. “Bloodline, Big Family series, No. sheet: 77 x 93.3 cm. Prints & Graphic Art. Zhang and his three brothers growth up with him aunt. 9”, Zhang Xiaogang, 1996. With the side effect of "core economic development", it turned a new page to the social phenomenon of families in China. The artworks of Xiaogang are painted with an incredible gently, but at the same time they have a strong emotional impact on the viewer. His subjects seems like separated, physically neighbors but isolated from each other, they seem almost “randomly grouped”. Today it’s the first time that we are talking about a Chinese artist. Executed in 2006. | ( Log Out /  3 (Lot 145) from 1995 is arguably the most mature piece in the series, showcasing the iconic three member family portrait. The Bloodline series acts as a brief historical lesson for the viewers who are interested in arts and the artists that emerge during the late 20 th century. Bloodline: Big Family Series 120/199 Lithograph . The artist finds salvation through his artistic expression. The people understand the feelings of the artists and want him to continually recount the more complicated relationships and hidden feelings Bloodline - Big Family No 3 (1995) by Zhang Xiaogang Bloodline – Big Family No. Signed, 2003 The contrasting colours amplify the changes that were going on in China while he … Phillips estimates it … Although the rapid development in China brings wealth to the people, it also creates a generation gap between different ages of people. Also on show is Brother and Sister, a painting by Zhang Xiagang from his most famous Bloodline: Big Family series. "I pursue the effect of 'pseudo photograph' to further beautify the history and life that have already been 'already beautified'." - Zhang Xiaogang The Bloodline: Big Family series not only became a milestone in Zhang Xiaogang’s career, but also a repeated theme that the artist would revisit throughout his later works. This work is number 31 from an edition of 99. With a thorough study of the theme in Bloodline: Big Family, the artist encourages deliberations of viewers in an almost religious way. Just a few years after finished the Art High School, Zhang Xiaogang remained deeply marked by a second big event: the Tiananmen Square protest. ---The Spiritual History of Depression and Sentiment, Lui Pang 2006 The morbidity of Individual family forms a new syndrome in Chinese society. In Bloodline: The Big Family Sseries (Lot 40), Zhang Xiaogang utilised the technique of the European academic school of realistic painting to create a collective, communal image, reflecting the changes in the inner world of that generation; image transformation of this nature reveals the psychological landscape of each individual. His major works are “Family Photos” series, “Tian An Men”, “Bloodline: Comrade NO.120”, “The Big Family” series, and so on. They sit upright against the studio background, and with vacant looks on their faces. The work from He Xiangning Art Museum's collection stands as a … Young people were tired and exhausted from achieving their goals and had no time to take care of their parents. The aim of this project is to give an insight into contemporary art to those who are not involved in the art business. If you wish to view the condition report of this lot, please sign in to your account. The son is painted in a symbolic red to represent the happiness, fortune and health from the family. The morose and sentimental spiritual history was deducted from some pseudo photograph. The work is also the only piece from the series to depict the Little Red … However, such palette also suggests rebellion and protest against society. Zhang Xiaogang made his mark on the international scene at the 1995 Venice Biennale, where he exhibited the first portraits of his now famous Bloodline Big Family series. Change ). His most famous paintings are the “Bloodlines” serie, where he tells about family relationships, social and collective problems in China through portraits of group inspired by images of Cultural Revolution. The history is mixed in the artworks of Zhang Xiaogang. As depicted in the two family portraits above, the numerical combination of 2 parents to 1 child is unique to China’s population demographics. With a new social background, such expression is a new interpretation of the artist towards the complicated emotion of tiredness, helplessness, numbness, anxiety and vagueness. With a new social background, such expression is a new interpretation of the artist towards the complicated emotion of tiredness, helplessness, numbness, anxiety and vagueness. Both students and intellectuals were demanding more freedom and they organized a protest of Forty days, but the military intervention made a real massacre. That’s why we think this project is useful: to open the art world up to anyone who might be interested in knowing more about it. View and compare similar lots prices. The Changing Perceptions of “Family” during the Cultural Revolution. Time and experience in the past lingered and became an inspiration to the artist. Paintings in his Bloodline series are predominantly monochromatic, stylized portraits of Chinese people, usually with large, dark-pupiled eyes, posed in a stiff manner deliberately reminiscent of family portraits from the 1950s and 1960s. The iconic three-member family portrait has been described as being modelled after a photograph of the artist's brother as an infant and his parents. 3”, by Zhang Xiaogang, 1995. 1 (from Bloodline Series) by Zhang Xiaogang Available at Lougher Contemporary Prints Lithograph print 2006 Edition Size: Edition of 130 Sheet Size: 78.7 x 119.4 cm Google Arts & Culture features content from over 2000 leading museums and archives who have partnered with the Google Cultural Institute to bring the world's treasures online. The first Bloodline – Big Family: No. Despite the fact that he had several extremely successful gallery shows two years earlier, in 2003, Zhang had little presence in the secondary market, with only four lots selling at auction. He also could not expose him artworks until the year 1997. Title: Bloodline-Big Family Series. Based on aging family photographs, the artist allegorises them as metaphors of himself and the history of his country. Date: 1998. VISIONARY DICTIONARY, BEPPE GIACOBBO, 2013 – #illusthursday. Big Family No. ( Log Out /  As I mentioned above, Xiaogang’s intention with the Bloodline Series was to portray overly simplified images reminiscent of family portraits from the 50s and 60s. Compare auction performance of Zhang Xiaogang . Xiaogang Zhang isn’t just a famous artist but also a spokesman of the Chinese culture in the world. Sorry, your blog cannot share posts by email. The grim imaginary families in his “Bloodlines: The Big Family” paintings of the 1990s and his 2005–06 series of grisaille portraits in oil reveal countless narratives about the aspirations and failures of the Cultural Revolution as well as Zhang’s own emotions. 9 offers a master work from his most compelling body of works- the Bloodline (1993 – 1999) series. ( Log Out /  The grim imaginary families in his “Bloodlines: The Big Family” paintings of the 1990s and his 2005–06 series of grisaille portraits in oil reveal countless narratives about the aspirations and failures of the Cultural Revolution as well as Zhang’s own emotions. Enter your email address to follow this blog and receive notifications of new posts by email. Bearing the weight of the psychological disposition of an entire generation, the present Bloodline - Big Family: … 9 Commands $4.8 Million at Phillips. The historical incident in June 1989 served as a tremendous critical point in Zhang Xiaogang's artistic trajectory. (25 1 ⁄ 8 x 31 1 ⁄ 2 in.) In 1995 Zhang Xiaogang presented his Bloodline: Big Family series in an affiliate exhibition during the 46th Venice Biennale. Through a direct encounter with the artworks, he experienced a spiritual connection with the artists as a viewer, refining in him an epochal spirit that belonged to China and his generation - Bloodline: Big Family Series. Browse upcoming and past auction lots by Zhang Xiaogang. The wide gap between rich and poor became increasingly evident after these tremendous societal changes in China after 2000. In 2003, A big family series, from Zhang Xiaogang’s Bloodlines series, sold at Christie’s Hong Kong for US$76,000. His artistic production is mixed with the history of China during the last 60 years. The grim imaginary families in his “Bloodlines: The Big Family” paintings of the 1990s and his 2005–06 series of grisaille portraits in oil reveal countless narratives about the aspirations and failures of the Cultural Revolution as well as Zhang’s own emotions. 9, a 1996 canvas by Zhang Xiaogang. The popularity of the series became a blessing and curse as he was forced to work even harder to meet the demands of his work. In 1995 Zhang Xiaogang presented his Bloodline: Big Family series in an exhibition entitled The Other Face: Three Chinese Artists as part of the larger international exhibition Identità e Alterità, installed in the Italian Pavilion during the centenary 46th Venice Biennale. Bloodline: Big Family Series inherits the calm facial expressions similar to his earlier works. Zhang always intensifies the figures in his works to explain the collective phenomenon in the society. Presenting an extremely rare rendition by highly sought-after contemporary Chinese artist Zhang Xiaogang, Bloodline: Big Family No. Bloodline: Big Family Series, the artist reveals the relationship and sentiment of two different generations setting them in a static space to fill the composition. Creator: Zhang Xiaogang. The pictures became his first signature series, garnering broad international attention. The lot on offer Bloodline: Big Family No. Change ), You are commenting using your Google account. Post was not sent - check your email addresses! View Bloodline Big Family Series by Zhang Xiaogang on artnet. His subjects seems like separated, physically neighbors but isolated from each other, they seem almost “randomly grouped”. Markings: Signed and numbered on the front Contact Gallery About This Work Description: Inspired by family photos from the Cultural Revolution period, as well as the European tradition of surrealism, Zhang Xiaogang’s paintings engage with the notion of identity within the Chinese culture of collectivism. In 1995 he presented his Bloodline: Big Family series in an exhibition installed in the Italian Pavilion during the centenary 46th Venice Biennale. His Bloodline: Big Family No 3 (1995) fetched HK$94.2 million at a 2014 auction and works from the series still appear in practically every contemporary Asian art sale today. Standard outfits and style were personalized, but the "standard" value (getting rich) of society became an invisible shackle to constrain the spirits of Chinese people. Zhang Xiaogang, Bloodline-big family, 1995. Change ), You are commenting using your Facebook account. The canvas permeates an overall feeling of tranquility. Bloodline: Big Family Series inherits the calm facial expressions similar to his earlier works. 22 1/4 by 28 1/4 in. Zhang realized that his artistic language was inadequate in leading the public to face the challenges in China. Zhang Xiaogang is a contemporary Chinese symbolist and surrealist painter. 3 was sold for a whopping $12.1m 7. ( Log Out /  1 was debuted at the 22nd Sao Paolo Biennale and now resides in the Tokushima Modern Art Museum. Bloodline: Big Family Series Print-Multiple 2020 Japan Subscribers only My Memory No. There is love and attention to the family, the political and cultural contradictions of the period and all the influences of the great historical events that touched up close to him. The discontent of working class began to spread over the country. 3 (1995) From 1993 to 1999, a family theme occupied the artist’s attention almost exclusively. Bloodline Big Family No `` I pursue the effect of 'pseudo photograph ' to further beautify history... 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